Global trends, fading roots: What the Korean wave means for India


New Delhi, (IANS): Recent incidents and growing concerns around excessive online influence and cultural obsession among adolescents have renewed national debate on how foreign cultural content is being consumed by young Indians, and whether adequate guidance and balance are being provided at the family and institutional level.

At the heart of this discussion lies a broader and more complex issue -- India's cultural confidence and the way its youth relate to their own language, traditions, and identity in an increasingly globalised world.

Over the past decade, South Korean popular culture -- popularly known as the Korean Wave or Hallyu -- has gained remarkable traction among Indian youth.

Korean pop music, television dramas, online games, fashion trends, food preferences, and even language expressions have become deeply embedded in adolescent and youth lifestyles, particularly in urban and semi-urban India.

While cultural exchange is a natural and often enriching process, concern arises when admiration for another culture begins to replace, rather than complement, one's own cultural foundations.

The contrast between South Korea and India is particularly striking.

While a country like South Korea, with a population of around 50 million, is consistently promoting its culture, language, traditions, and music not only within its own borders but across the world, India -- despite having a population of nearly 1.4 billion -- appears to be gradually distancing itself from its own cultural roots.

Many observers note that Indian youth are increasingly forgetting their language, traditions, food habits, and cultural practices, while enthusiastically adopting foreign lifestyles and trends.

South Korea's cultural success is not driven by blind admiration for other nations, nor by rejection of globalisation. Instead, it is built on deep confidence in its own identity.

Korean youth do not abandon their language or traditions while engaging with the global community.

On international platforms, Koreans confidently use their native language, promote their music and cinema, support domestic brands, and project a strong sense of national belonging. This mindset is anchored in the concept of "Woori Nara", meaning "my country", which reflects collective responsibility, cultural loyalty, and pride.

Wherever Koreans go -- whether for education, employment, or travel -- they consciously carry their identity with them. They speak Korean among themselves abroad, prefer Korean airlines, support Korean-made products, and actively promote Korean food, games, music, dramas, and technology.

Importantly, Korean youth are not seen abandoning their cultural values in the name of global trends, nor do they display excessive fascination with foreign cultures at the cost of their own traditions.

In contrast, a section of Indian youth appears to be moving in the opposite direction. Increasingly, young Indians openly express discomfort or dislike toward Indian food, show hesitation in using Indian languages in public spaces, and associate modernity, sophistication, or global status primarily with foreign cultural markers. While interest in global cultures is not problematic in itself, concern arises when such interest is accompanied by embarrassment, detachment, or disregard for one's own heritage.

India has historically been an emotionally open and inclusive society, readily absorbing external influences. This openness has been one of the country's greatest strengths. However, inclusiveness without cultural grounding can lead to imbalance. The issue is not about rejecting Korean culture -- or any foreign influence -- but about the absence of discernment: understanding what to learn, what to adapt, and what not to imitate blindly.

Cultural thinkers emphasise that true nationalism in a globalised world does not mean isolation or hostility toward other cultures. Rather, it means possessing the confidence to celebrate, protect, and promote one's own language, traditions, food, knowledge systems, and products while engaging respectfully with the world. South Korea's example demonstrates that strong cultural pride and global integration are not contradictory, but complementary.

The role of families, schools, and educational institutions is critical in this context. Cultural awareness and identity formation cannot be left solely to digital platforms, algorithms, or entertainment content. Children and adolescents require consistent guidance to understand their heritage, language, history, and values so that their engagement with global culture becomes additive rather than substitutive.

At the policy level, there is a growing need for initiatives that encourage Indians to use their languages confidently on international stages, openly acknowledge national achievements, and support domestic products without hesitation. Cultural confidence must be reinforced through education systems, media representation, youth programmes, and institutional messaging that normalise pride in Indian identity rather than treating it as outdated or secondary.

As India continues to assert its place on the global stage -- economically, technologically, and diplomatically -- the challenge is not to resist global culture, but to engage with it from a position of self-respect and clarity. Learning from South Korea is valuable, but the most important lesson lies not in imitating entertainment trends, fashion, or lifestyle choices. It lies in adopting the confidence with which a nation carries its identity into the world.In the end, cultural exchange should expand horizons, not erase roots. Global trends, fading roots: What the Korean wave means for India | MorungExpress | morungexpress.com
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Anusha Dandekar is grateful for a beautiful life, even through the hardest battles

(Photo: Anusha Dandekar/Instagram)

Mumbai, (IANS): Actress and television personality Anusha Dandekar, who turned 44 on Friday, marked her birthday on a deeply emotional note as she reflected on life, growth and the people who shaped her journey.

Sharing a cherished throwback video from her childhood in pigtails, Anusha spoke about staying connected to the fearless, happy-go-lucky little girl she once was.

She wrote: “The bridge between who you were and who you are becoming, seems like it should be so different but I kinda disagree, that little fearless, happy go lucky, loving little me, is exactly who I want to be, so coming back to that is all you can ever ask for.”

“I’ve lived a really beautiful life with so much to be grateful for, even through the hardest battles.”

Anusha said that she has learnt so much and here “I am still wanting to sing and dance my way through life! Can’t ask for anything more.”

“Ps. Thankyou @sulabha.dandekar my Birth Giver! You and me in Sudan, 44 years ago. Love you. That’s my Daddy in the background saying Action, as you can see I had parents who let me fly from day one! And yes that’s me in the pink top with pigtails!”

She conlcuded: “THANKYOU FOR THE BIRTHDAY WISHES AND LOVE! I feel so special beyond! You made my heart explode Also I know the songs hit differently when you finally understand the words hahahahaha”

Anusha’s sister Shibani Akhtar shared the same video to wish her sister, whom she lovingly called her “chicken”.

Shibani had written: “Happy bday chicken. I love you endlessly my little superstar Dream big, shine bright and stay as beautiful as you are always @anushadandekar.”

Talking about Anusha, on the work front, has been a successful Indian television host, VJ, actor, and model. She became a household name with hosting shows like MTV Dance Crew, MTV Love School, and MTV Teen Diva. Apart from television hosting, she has also appeared in Bollywood films such as Mumbai Matinee, Viruddh, and Delhi Belly.

Meanwhile, Shibani is an Indian actor, singer, model, and television host and is known for her work in Bollywood films and digital content. She began her career as a VJ and later appeared in movies like Roy, Shaandaar, and Naam Shabana.The actress is also a singer and part of the music band Shibani Kashyap Project. The actress has been in the spotlight of late for her relationship and marriage to Farhan Akhtar in 2022. She is the daughter-in-law of ace writer and lyricist Javed Akhtar, Honey Irani and Javed’s second wife and veteran actress Shabana Azmi. Anusha Dandekar is grateful for a beautiful life, even through the hardest battles | MorungExpress | morungexpress.com
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Ankita Lokhande recalls the toughest chapter of her life that broke her completely

(Photo: Ankita Lokhande/ Instagram) IANS

Mumbai, (IANS) Joining the "2026 is the new 2016" trend, a popular name in the television industry, Ankita Lokhande remembered 2016 as 'the toughest chapter of my life'.

She looked back at the time that broke her completely and changed her forever.

Refreshing your memory, 2016 was the year Ankita and late actor Sushant Singh Rajput reportedly broke up after years of being together.

Although Ankita did not mention anything clearly in her post, it is possible that she is hinting at her heartbreak after parting ways with Sushant.

Looking back at what she referred to as the toughest chapter in her life, Ankita shared on her Instagram, "2016 ki yaadein...The toughest chapter of my life…A year that tested me, broke me quietly, and changed me forever..And today, I only feel grateful and proud of how far I have come from there to here..(sic)."

The 'Laughter Chefs' contestant further reminisced about some other memories from 10 years ago, like her first-ever Insta post.

"My first ever Instagram post..Realising I’ve always been a family girl.. then, now, forever…, " she added.

Ankita also thanked her late furry friend, Scotch, for always being by her side.

She shared, "Scotch my biggest support my strength, my dog, my constant, my home..Thanking him always for being there through every low, every tear, every silent breakdown.. I miss him dearly, my biggest happiness and the only one that year who kept me going.."

For the unaware, Ankita and Sushant first met on the sets of their popular show "Pavitra Rishta," where both played the lead. Soon, the two fell for each other and got into a relationship. They were together for a long time before going their separate ways.

On 14 June 2020, in a shocking update, Sushant was found dead in his Bandra house in Mumbai at the young age of 34.Going by the official postmortem report, he died of asphyxia due to hanging. Ankita Lokhande recalls the toughest chapter of her life that broke her completely | MorungExpress | morungexpress.com
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Netflix reports surge in subscribers, new price hikes

SAN FRANCISCO - Netflix on Tuesday said it added nearly 19 million subscribers during the holiday season to finish out last year with more than 300 million subscribers.

Company executives credited steady investments in shows and films with helping power growth at the streaming behemoth, while announcing it is increasing prices in Argentina, Canada, Portugal and the United States.

"As we continue to invest in programming and deliver more value for our members, we will occasionally ask our members to pay a little more so that we can re-invest to further improve Netflix," the company said in a letter to investors.


Premium and standard memberships in the United States will cost $2 more per month, $25 and $18 respectively, while a standard ad-supported tier will be $8 in an increase of one dollar monthly, according to the company.

In the final quarter of 2024, the streaming juggernaut said it logged profit of $1.87 billion on revenue of $10.25-billion that grew double digits from the same period the prior year.

Netflix shares jumped more than 14 percent to top $993 in after-market trades.

"We enter 2025 with strong momentum, coming off a year with record net additions -- 41 million -- and having re-accelerated growth," Netflix executives told investors.

They added that Netflix is in a "leadership position" when it comes to engagement, with about two hours daily per paid member.

"Our business remains intensely competitive with many formidable competitors across traditional entertainment and big tech," Netflix executives said."We have to continue to improve all aspects of Netflix -- more series and films our members love, a great product experience, increased sophistication in our plans and pricing strategy including more advertising capabilities -- and grow into new areas like live programming and games." Netflix reports surge in subscribers, new price hikes
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Disney to complete takeover of Hulu with $8.6bn deal

NEW YORK - The Walt Disney Company announced it will buy Comcast's $8.6-billion stake in Hulu, completing its takeover of the streaming service.

The acquisition will "further Disney's streaming objectives," the company said in a press release, and comes as it strives to boost subscriber numbers at its Disney+ streaming service.

The deal values Hulu at $27.5-billion in total, according to Disney, which said the transaction will be concluded by December 1.

The California-based entertainment giant already sells Hulu as part of bundled offerings with its Disney+ and ESPN+ platforms.

An ad-subsidized bundle of the three services is priced at $15 monthly in the United States, with an ad-free version costing $25 per month.

The company will release its latest quarterly earnings next week, providing a look at how its cable and streaming services are doing in the fiercely competitive market.

Disney in August reported that Disney+ lost more than 10 million subscribers in the recently ended quarter, in large part in the Indian market.

Disney+ finished the second three months of this year with 146.1 million subscribers, compared with just shy of 158 million in the prior quarter, the group said.

Disney rival Netflix last month said subscriber numbers grew nearly 11 percent to 247 million as it cracked down on password sharing and refined an ad-supported tier.The leading streaming service increased prices on some of its plans, perhaps creating an opportunity for competitors such as Disney.Disney to complete takeover of Hulu with $8.6bn deal
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US President-elect Joe Biden gets COVID vaccine live on TV


Newly elected President of United States Joe Biden has received the first dose of Pfizer’s COVID-vaccine. The scene of Biden’s receiving was broadcasted live on television. 

At the time, newly elected President Joe Biden made sure all Americans had enough vaccines. At the same time, he urged everyone to get vaccinated, saying he was getting the vaccine to show the Americans “it is safe to take”.'

“I’m doing this to demonstrate that people should be prepared when it’s available to take the vaccine,” Joe Biden said from Newark, Delaware, where he vaccinated live on TV. “There’s nothing to worry about.” – reports BBC.

He said the Trump administration “deserves some credit” for launching the country's vaccine program.

Earlier in the day, Jill Biden, wife of Joe Biden, received her first dose, said the US President-elect.

Biden’s running mate, Vice-President-elect Kamala Harris and her husband Doug Emhoff are expected to receive their first shots next week.

The Biden team has set a goal of 100 million Covid-19 vaccinations in the US during the administration’s first 100 days in the White House.

Meanwhile, the data of worldometer on Tuesday morning (22-12-2020) showed, a total of 77,716,246 people has been diagnosed with the virus worldwide as the death toll rises to 1,708,924. The relief news that 54,591,959 patients already recovered from the infection of the virus.

The United States is at the top of the world in terms of deaths and infections by Covid-19. A total of 326,772 people died in the country due to the pandemic while 18,473,716 have been infected so far. On the other hand, a total of 10,802,496 people have recovered from the virus, according to the website.Source: BBC, Al Jazeera, New York Times Source: https://www.daily-bangladesh.com/
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BBC experiments with ‘holographic’ TV

By Chris Forrester: The BBC has showcased an experimental ‘holographic’ TV device that “brings to life” some of its archive footage, ranging from the iconic BBC ident globes to giant dinosaurs. Cyrus Saihan is Head of Digital Partnerships at the BBC and explains more on this exciting project in a posting on the BBC’s Internet Blog site: “Although the famous Princess Leia hologram from Star Wars was set a “long, long time ago”, this type of audience experience might not be that far away. Holographic experiences, like Ultra-High Definition or virtual reality, offer audiences a level of detail and realism that only a short while ago seemed virtually impossible but that are now becoming a reality.” “For our experiment, we used existing technologies and simple techniques to explore ‘holographic’ content. The device that we made also gives us an extremely low-fi and low-cost way to assess how the ‘floating’ images of augmented and mixed reality devices, which aren’t readily available for audience testing, might be used to view BBC content in the future.” He added that the BBC has been involved theoretically in holographic technology since the 1970’s, it has more recently been focusing on 360-degree transmission and Virtual Reality output. “To make our ‘holographic’ TV, we took a 46” TV that we had in the office and then asked a local plastics cutter to make a simple acrylic pyramid shape based on some sketches that we had done,” said Saihan. “By placing [an] acrylic pyramid on our flat screen TV, we were able to try out a modern-day version of an old Victorian theatre technique and create the illusion of floating ‘holographic’ like images.” “For this theatre trick to work [AKA ‘Pepper’s Ghost’], the video footage needed to be of a certain type, so we looked through the BBC public service and BBC Worldwide archives for iconic footage that matched these criteria and then worked with UK based visual effects and hologram specialist company MDH Hologram, who tweaked and formatted our archive footage to bring it to life.” “There are limitations with our experimental device: as mentioned above, only certain types of footage will work, you need a fairly low level of light in the room to get the maximum impact and the viewing angles are narrow. The physics of the light reflecting off the pyramid and the TV’s screen size also means that there will always be a practical limit to the size of a display such as this,” explained Saihan. “However, this wasn’t an exercise to test how well this specific prototype performed, it was intended to give us a good approximation as to what BBC content would look like on a ‘holographic’ TV, get an insight into what audiences thought of it and give us a cheap way to explore floating images in the real world. Our experiment was fairly simplistic, but the new technologies on the horizon have the potential to completely change the way that audiences experience media content in the future. You can imagine a world where instead of watching a film star being interviewed on the sofa of a TV chat show, they feel as if they are sitting right next to you on your own sofa in your living room, or where instead of looking at a 2D image of Mount Everest, it appears as if the snow on the mountain top is falling around you. Source: http://advanced-television.com/
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New UK homes to have superfast broadband


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  • The government has worked with Openreach – BT’s local access network business – and the Home Builders Federation (HBF) on an agreement which aims to deliver superfast broadband connectivity to new build properties in the UK.
  • The new deal will see fibre based broadband offered to all new developments either for free or as part of a co-funded initiative. It is estimated that more than half of all new build properties can be connected to fibre broadband free of charge to developers.
  • As part of the agreement, Openreach is introducing an online planning tool for homebuilders. This will tell them whether properties in a given development can be connected to fibre for free, or if a contribution is needed from the developer to jointly fund the deployment of the local fibre network.
  • Effective immediately, the housing industry will have access to a ‘rate card’ from Openreach which details the fixed cost contributions required by homebuilders in those cases where joint funding is required. Openreach will make a significant contribution itself before seeking any funds from developers. HBF will promote and support uptake of the co-funding offer amongst their members, and emphasise the need to plan for connectivity early in the development.
  • This new offer sets a high bar for all suppliers and developers in the market, and Government will be working with industry closely to monitor success over the next year.
  • Digital Economy Minister Ed Vaizey said: “The government’s ambition to build 1 million new homes over the course of this Parliament will house families and future generations to come. Broadband connectivity is just one thing that home buyers now expect when buying a new build, so this industry-led push to make superfast, or indeed ultrafast, broadband speeds available by default in new homes represents a very important step in meeting the UK’s digital needs.”
  • Clive Selley, CEO Openreach, said: “This is an important step towards bringing fibre broadband to as many new build properties as possible. We recognise that high speed broadband connectivity is a major factor for homeowners when deciding to buy a house. That’s why we’re offering to deliver fibre to all new build developments either for free or as a co-funded model. With the support of the HBF we’ve delivered a series of measures to give developers greater clarity, choice and more funding. Today’s announcement underlines Openreach’s commitment to further extend its fibre network – which reaches more than 24m premises – to benefit even more communities across the country.”
  • Stewart Baseley, executive chairman of the HBF added: “Housebuilders are constantly striving to deliver on and surpass the expectations of customers as we continue to see housing supply grow. Broadband speeds are an increasingly important factor in the home buying process and this offer to developers will see more new build purchasers benefit from the very best connectivity to go alongside the many other advantages of purchasing a brand new home.”Source: Advanced-television.com
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