Global trends, fading roots: What the Korean wave means for India


New Delhi, (IANS): Recent incidents and growing concerns around excessive online influence and cultural obsession among adolescents have renewed national debate on how foreign cultural content is being consumed by young Indians, and whether adequate guidance and balance are being provided at the family and institutional level.

At the heart of this discussion lies a broader and more complex issue -- India's cultural confidence and the way its youth relate to their own language, traditions, and identity in an increasingly globalised world.

Over the past decade, South Korean popular culture -- popularly known as the Korean Wave or Hallyu -- has gained remarkable traction among Indian youth.

Korean pop music, television dramas, online games, fashion trends, food preferences, and even language expressions have become deeply embedded in adolescent and youth lifestyles, particularly in urban and semi-urban India.

While cultural exchange is a natural and often enriching process, concern arises when admiration for another culture begins to replace, rather than complement, one's own cultural foundations.

The contrast between South Korea and India is particularly striking.

While a country like South Korea, with a population of around 50 million, is consistently promoting its culture, language, traditions, and music not only within its own borders but across the world, India -- despite having a population of nearly 1.4 billion -- appears to be gradually distancing itself from its own cultural roots.

Many observers note that Indian youth are increasingly forgetting their language, traditions, food habits, and cultural practices, while enthusiastically adopting foreign lifestyles and trends.

South Korea's cultural success is not driven by blind admiration for other nations, nor by rejection of globalisation. Instead, it is built on deep confidence in its own identity.

Korean youth do not abandon their language or traditions while engaging with the global community.

On international platforms, Koreans confidently use their native language, promote their music and cinema, support domestic brands, and project a strong sense of national belonging. This mindset is anchored in the concept of "Woori Nara", meaning "my country", which reflects collective responsibility, cultural loyalty, and pride.

Wherever Koreans go -- whether for education, employment, or travel -- they consciously carry their identity with them. They speak Korean among themselves abroad, prefer Korean airlines, support Korean-made products, and actively promote Korean food, games, music, dramas, and technology.

Importantly, Korean youth are not seen abandoning their cultural values in the name of global trends, nor do they display excessive fascination with foreign cultures at the cost of their own traditions.

In contrast, a section of Indian youth appears to be moving in the opposite direction. Increasingly, young Indians openly express discomfort or dislike toward Indian food, show hesitation in using Indian languages in public spaces, and associate modernity, sophistication, or global status primarily with foreign cultural markers. While interest in global cultures is not problematic in itself, concern arises when such interest is accompanied by embarrassment, detachment, or disregard for one's own heritage.

India has historically been an emotionally open and inclusive society, readily absorbing external influences. This openness has been one of the country's greatest strengths. However, inclusiveness without cultural grounding can lead to imbalance. The issue is not about rejecting Korean culture -- or any foreign influence -- but about the absence of discernment: understanding what to learn, what to adapt, and what not to imitate blindly.

Cultural thinkers emphasise that true nationalism in a globalised world does not mean isolation or hostility toward other cultures. Rather, it means possessing the confidence to celebrate, protect, and promote one's own language, traditions, food, knowledge systems, and products while engaging respectfully with the world. South Korea's example demonstrates that strong cultural pride and global integration are not contradictory, but complementary.

The role of families, schools, and educational institutions is critical in this context. Cultural awareness and identity formation cannot be left solely to digital platforms, algorithms, or entertainment content. Children and adolescents require consistent guidance to understand their heritage, language, history, and values so that their engagement with global culture becomes additive rather than substitutive.

At the policy level, there is a growing need for initiatives that encourage Indians to use their languages confidently on international stages, openly acknowledge national achievements, and support domestic products without hesitation. Cultural confidence must be reinforced through education systems, media representation, youth programmes, and institutional messaging that normalise pride in Indian identity rather than treating it as outdated or secondary.

As India continues to assert its place on the global stage -- economically, technologically, and diplomatically -- the challenge is not to resist global culture, but to engage with it from a position of self-respect and clarity. Learning from South Korea is valuable, but the most important lesson lies not in imitating entertainment trends, fashion, or lifestyle choices. It lies in adopting the confidence with which a nation carries its identity into the world.In the end, cultural exchange should expand horizons, not erase roots. Global trends, fading roots: What the Korean wave means for India | MorungExpress | morungexpress.com
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Anusha Dandekar is grateful for a beautiful life, even through the hardest battles

(Photo: Anusha Dandekar/Instagram)

Mumbai, (IANS): Actress and television personality Anusha Dandekar, who turned 44 on Friday, marked her birthday on a deeply emotional note as she reflected on life, growth and the people who shaped her journey.

Sharing a cherished throwback video from her childhood in pigtails, Anusha spoke about staying connected to the fearless, happy-go-lucky little girl she once was.

She wrote: “The bridge between who you were and who you are becoming, seems like it should be so different but I kinda disagree, that little fearless, happy go lucky, loving little me, is exactly who I want to be, so coming back to that is all you can ever ask for.”

“I’ve lived a really beautiful life with so much to be grateful for, even through the hardest battles.”

Anusha said that she has learnt so much and here “I am still wanting to sing and dance my way through life! Can’t ask for anything more.”

“Ps. Thankyou @sulabha.dandekar my Birth Giver! You and me in Sudan, 44 years ago. Love you. That’s my Daddy in the background saying Action, as you can see I had parents who let me fly from day one! And yes that’s me in the pink top with pigtails!”

She conlcuded: “THANKYOU FOR THE BIRTHDAY WISHES AND LOVE! I feel so special beyond! You made my heart explode Also I know the songs hit differently when you finally understand the words hahahahaha”

Anusha’s sister Shibani Akhtar shared the same video to wish her sister, whom she lovingly called her “chicken”.

Shibani had written: “Happy bday chicken. I love you endlessly my little superstar Dream big, shine bright and stay as beautiful as you are always @anushadandekar.”

Talking about Anusha, on the work front, has been a successful Indian television host, VJ, actor, and model. She became a household name with hosting shows like MTV Dance Crew, MTV Love School, and MTV Teen Diva. Apart from television hosting, she has also appeared in Bollywood films such as Mumbai Matinee, Viruddh, and Delhi Belly.

Meanwhile, Shibani is an Indian actor, singer, model, and television host and is known for her work in Bollywood films and digital content. She began her career as a VJ and later appeared in movies like Roy, Shaandaar, and Naam Shabana.The actress is also a singer and part of the music band Shibani Kashyap Project. The actress has been in the spotlight of late for her relationship and marriage to Farhan Akhtar in 2022. She is the daughter-in-law of ace writer and lyricist Javed Akhtar, Honey Irani and Javed’s second wife and veteran actress Shabana Azmi. Anusha Dandekar is grateful for a beautiful life, even through the hardest battles | MorungExpress | morungexpress.com
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Ankita Lokhande recalls the toughest chapter of her life that broke her completely

(Photo: Ankita Lokhande/ Instagram) IANS

Mumbai, (IANS) Joining the "2026 is the new 2016" trend, a popular name in the television industry, Ankita Lokhande remembered 2016 as 'the toughest chapter of my life'.

She looked back at the time that broke her completely and changed her forever.

Refreshing your memory, 2016 was the year Ankita and late actor Sushant Singh Rajput reportedly broke up after years of being together.

Although Ankita did not mention anything clearly in her post, it is possible that she is hinting at her heartbreak after parting ways with Sushant.

Looking back at what she referred to as the toughest chapter in her life, Ankita shared on her Instagram, "2016 ki yaadein...The toughest chapter of my life…A year that tested me, broke me quietly, and changed me forever..And today, I only feel grateful and proud of how far I have come from there to here..(sic)."

The 'Laughter Chefs' contestant further reminisced about some other memories from 10 years ago, like her first-ever Insta post.

"My first ever Instagram post..Realising I’ve always been a family girl.. then, now, forever…, " she added.

Ankita also thanked her late furry friend, Scotch, for always being by her side.

She shared, "Scotch my biggest support my strength, my dog, my constant, my home..Thanking him always for being there through every low, every tear, every silent breakdown.. I miss him dearly, my biggest happiness and the only one that year who kept me going.."

For the unaware, Ankita and Sushant first met on the sets of their popular show "Pavitra Rishta," where both played the lead. Soon, the two fell for each other and got into a relationship. They were together for a long time before going their separate ways.

On 14 June 2020, in a shocking update, Sushant was found dead in his Bandra house in Mumbai at the young age of 34.Going by the official postmortem report, he died of asphyxia due to hanging. Ankita Lokhande recalls the toughest chapter of her life that broke her completely | MorungExpress | morungexpress.com
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