The High-End Fashion Industry’s Reaction to Economic Turmoil


Illustration by Ruhi Bishnoi

While inflation has pinched the wallets of many, it’s ironically fueling the growth of luxury fashion. As most consumers scale back on spending due to rising costs, iconic brands like Chanel, Rolex, and Hermès are boldly raising their prices, sometimes surpassing inflation itself. For some, it's a response to economic pressures; for others, it’s a strategic move to preserve their elite status.

Luxury brands excuse their price inflation by claiming inflation pressures and rising material costs, but their figures do not hold up. Consider, for instance, Chanel in 2019, the average price for a Classic Flap bag stood at $5,800. At present, it has reached about $10,200, a phenomenal increase of about 76% in price. Chanel justified this by claiming a commitment to quality and exclusivity. This argument was pushed by the CEO, Leena Nair for the price hike, she said "We use exquisite raw materials and our production is very rigorous, laborious, handmade-so we raise our prices according to the inflation that we see." But is there more to it? Many consumers and analysts suspect otherwise, wondering whether such price bounds are truly to do with keeping up with cost or simply to maintain their ultra-high-end status.

The watch market is no different. Patek Philippe and Rolex rank among the world's most desirable brands, but to purchase them at retail is effectively impossible for someone who lacks any insider affiliation. On the secondary market, though, such timepieces tend to fetch two to three times their retail price. Are these brands genuinely facing supply chain restrictions, or do they limit production on purpose to keep demand strong? Most industry professionals believe the latter.

Beyond the realm of economics, luxury brands have learned a thing or two about price psychology. Economists call it the Veblen Effect; as the price for some luxury items rises, so does their demand. In contrast to mass-market items, a client does not buy Chanel handbags or Rolex watches just for their fine craftsmanship; he or she buys them for their prestige. Price hikes aren’t just about inflation; they create an aura of exclusivity around such goods. In short, the higher the price, the more desirable they become.

Hermès exemplifies this strategy. The brand, synonymous with scarcity and strict pricing, increased the price of an average Birkin bag by nearly 10% in 2023, exceeding inflation rates. A close examination of the discourse further reveals the possible truth that these bags do not just serve as accessories but genuine investments, worth holding and appreciating. Louis Vuitton had equally to trade from a playbook wherein multiple price raises go within a year despite the depressing foreign retail markets. These luxury goods stack up nowadays according to Business of Fashion on an average basis for around fifty-four percent more than they did during 2019. Yet, sales remain booming-some even argue more than ever. Why? Because these have successfully groomed the idea that affordability in hand and wrist should become a tag as status hallmark for completion in being successful. However, it too ends up being an ethical debate. Should luxury companies literally be allowed to raise prices this steeply while others are still cash-strapped? Some would just say that this is merely a business concept as the saying goes"If you find someone willing to pay, why not charge him more?" while some see it as a deliberate ploy to keep out regular buyers, thus making it all the more desired by ultra-high-net-worth individuals.

So, what’s next in the future? Will brands continue to push prices higher, or are we approaching a breaking point? History suggests that as long as affluent consumers remain eager to buy into exclusivity, luxury brands will continue raising prices, regardless of economic conditions. But there’s always the risk of alienating aspirational buyers, the ones who save up for a dream luxury purchase, if prices keep climbing.

Indeed, changes in behavior control the portion of this high drama. The industry remains high-class and entry-level as long as there is pursuit by people to be status seekers, this profit will always be there for these brands, be it a recession or not.Ruhi Bishnoi is a Data Science, Economics, and Business student at Plaksha University, set to graduate in 2027. She is passionate about leveraging data-driven insights to drive strategic business decisions and create meaningful impact. The High-End Fashion Industry’s Reaction to Economic Turmoil | MorungExpress | morungexpress.com
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Donear Group to roll out 'anti-Corona fabrics', fashion designers upbeat



New Delhi: Donear Group has recently partnered to create products that are high quality, utilitarian and have a shield against bacteria and viruses alike using NEO TECH® technology given the current scenario of the fashion and lifestyle category, adapting to the ‘new normal'.
"We have always wanted to extend our forte in poly viscose and worsted fabrics - be it for trousers, jackets or suits", Rajendra Agarwal (MD, Donear Group) says.
"This partnership has added another feather in our cap for breakthrough technology with anti-corona fabrics that shows its effects within minutes rather than hours! I strongly believe that the antiviral fabrics will boost our established group turnover (of 1300cr) by at least 15%", he adds.

"This technology makes us best suited for the future," he adds

Renowned fashion designers and celebrity stylists have voiced their opinion on the innovation brought to the Indian textile market.

"This NEO Tech anti-viral fabric is going to help people to feel safe, as safety is the top priority. I'm really excited to use this fabric in my next collection, and definitely showcase it in the London Fashion Week in the next season. Fashion is all about showing off, meeting people and socializing, this innovation is definitely going to be a big help", Indian Fashion designer, Rocky Star, commented.

Narendra Kumar Ahmed, Creative Director, Amazon added, "I think it is the right time to introduce something like this when the world is fearful about how this virus is spreading, as the innovation is wonderful for the fact that it can go beyond just now and Covid-19 is just a part of it, whether we talk of institutions, corporate clothing, etc. this fabric has a great scope, in bringing security to the people."

Celebrity Stylist and Founder of That Gypsy, Priya Patil said, "I think the technology is amazing and I would like to see how it translates on a broader fashion scope. And, I would like to use these fabrics for my accessories as this will be amazing."

"Since I also work in the hospitality industry, and given the fact that the sanitization standards in hospitals are so high, these fabrics will do so well in this industry. Not only for the fashion industry and the corporates, these fabrics should be used in the hospitality industry as well as for school uniforms, and expand the usage of this fabric on a wide variety", she added.

(Aditi Roy can be contacted at aditi.r@ians.in) Source: https://ummid.com/
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Kids’ ethnic wear emerges a promising segment in India


Kids’ ethnic wear is still niche with not too many big players venturing into this space. However, it’s a growing market with many new brands and established one vying for space. Weddings drive up demand: For brands to carve out a niche takes constant innovation, with fabrics, pricing along with the right marketing avenues to attract customers. Since, these products are not about window shopping its more about aspirations. As Shashant Maru, Proprietor, Genuine says, “Ethnic wear is at the most 15 to 20 per cent of the junior wear market. In junior wear, its casual wear that dominates. Yet, the industry is growing at 10 per cent a year. The premium and super premium segment of ethnic wear is too well positioned.” In casual wear, western wear has taken over and ethnic now takes a backseat. But with indo western and fusion wear growing, people are ready to spend higher for the right kind of ethnic wear. So, there are *kurtis*, palazzos, *lehangas, ghargra cholis* and gowns with an ethnic touch which are in great demand. Though overall demand has fallen because of western wear but volumes are higher than before because of population growth. Since, it’s about a rare occasion, consumers are willing to spend more at one go if the product is good and presented properly. Nikhil Furiya, Partner, Era says, “Ethnic wear has been doing well for the last five or six years. This has prompted many brands to jump into this category. It continues to be a demanding segment where sustaining yourself in the long term is difficult. Brands like Era, Genuine, Popton, Doll, AMI, Disha and Pari amongst others have been around for more than 10 to 20 years. For older players it’s all about consolidating working with organized retail, systematic functioning and marketing. New brands find the going tough: As new brands enter the market experts opine girls’ ethnic is a challenging category. Market observers feel new brands have a tough time in establishing themselves, to attract retailers’ attention. You have to aggressively market your product and match it with a variety of trends and colors. Also, the fact that it’s a seasonal business also deters many from entering the market. “Though for a newcomer its is tough but for existing players kids ethnics is promising because there are diverse tastes across various states in India, each brand gets their own customers,” avers Minesh Shah, Director, AMI. He adds, “Right now the market is flat but still we hope to grow by 25 per cent.” Many brands have dedicated designing team doing research on what works in the market. Therefore, even if you are a 25-year-old brand but inconsistent with both elements, you can’t expect to grow well. Throwing light on the scope of mid segment category, Kaushik Mehta, Proprietor, Keel Beel, explains, “The industry is geared towards the mid segment and one can expect maximum growth there. People making premium products are just two per cent of the industry. So, their turnover and sales may not be significant even though their margins are higher. If you want turnover and sales you have to cater to the mid segment.”Source: https://fashionunited.in/
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