The High-End Fashion Industry’s Reaction to Economic Turmoil


Illustration by Ruhi Bishnoi

While inflation has pinched the wallets of many, it’s ironically fueling the growth of luxury fashion. As most consumers scale back on spending due to rising costs, iconic brands like Chanel, Rolex, and Hermès are boldly raising their prices, sometimes surpassing inflation itself. For some, it's a response to economic pressures; for others, it’s a strategic move to preserve their elite status.

Luxury brands excuse their price inflation by claiming inflation pressures and rising material costs, but their figures do not hold up. Consider, for instance, Chanel in 2019, the average price for a Classic Flap bag stood at $5,800. At present, it has reached about $10,200, a phenomenal increase of about 76% in price. Chanel justified this by claiming a commitment to quality and exclusivity. This argument was pushed by the CEO, Leena Nair for the price hike, she said "We use exquisite raw materials and our production is very rigorous, laborious, handmade-so we raise our prices according to the inflation that we see." But is there more to it? Many consumers and analysts suspect otherwise, wondering whether such price bounds are truly to do with keeping up with cost or simply to maintain their ultra-high-end status.

The watch market is no different. Patek Philippe and Rolex rank among the world's most desirable brands, but to purchase them at retail is effectively impossible for someone who lacks any insider affiliation. On the secondary market, though, such timepieces tend to fetch two to three times their retail price. Are these brands genuinely facing supply chain restrictions, or do they limit production on purpose to keep demand strong? Most industry professionals believe the latter.

Beyond the realm of economics, luxury brands have learned a thing or two about price psychology. Economists call it the Veblen Effect; as the price for some luxury items rises, so does their demand. In contrast to mass-market items, a client does not buy Chanel handbags or Rolex watches just for their fine craftsmanship; he or she buys them for their prestige. Price hikes aren’t just about inflation; they create an aura of exclusivity around such goods. In short, the higher the price, the more desirable they become.

Hermès exemplifies this strategy. The brand, synonymous with scarcity and strict pricing, increased the price of an average Birkin bag by nearly 10% in 2023, exceeding inflation rates. A close examination of the discourse further reveals the possible truth that these bags do not just serve as accessories but genuine investments, worth holding and appreciating. Louis Vuitton had equally to trade from a playbook wherein multiple price raises go within a year despite the depressing foreign retail markets. These luxury goods stack up nowadays according to Business of Fashion on an average basis for around fifty-four percent more than they did during 2019. Yet, sales remain booming-some even argue more than ever. Why? Because these have successfully groomed the idea that affordability in hand and wrist should become a tag as status hallmark for completion in being successful. However, it too ends up being an ethical debate. Should luxury companies literally be allowed to raise prices this steeply while others are still cash-strapped? Some would just say that this is merely a business concept as the saying goes"If you find someone willing to pay, why not charge him more?" while some see it as a deliberate ploy to keep out regular buyers, thus making it all the more desired by ultra-high-net-worth individuals.

So, what’s next in the future? Will brands continue to push prices higher, or are we approaching a breaking point? History suggests that as long as affluent consumers remain eager to buy into exclusivity, luxury brands will continue raising prices, regardless of economic conditions. But there’s always the risk of alienating aspirational buyers, the ones who save up for a dream luxury purchase, if prices keep climbing.

Indeed, changes in behavior control the portion of this high drama. The industry remains high-class and entry-level as long as there is pursuit by people to be status seekers, this profit will always be there for these brands, be it a recession or not.Ruhi Bishnoi is a Data Science, Economics, and Business student at Plaksha University, set to graduate in 2027. She is passionate about leveraging data-driven insights to drive strategic business decisions and create meaningful impact. The High-End Fashion Industry’s Reaction to Economic Turmoil | MorungExpress | morungexpress.com
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Temasek Invests in Haldiram’s as India Becomes a Key Market


Singapore’s state-owned investment fund, Temasek, has made yet another major investment in India; this time it acquired a 10% stake in Haldiram‘s Snacks Food, one of the leading snack brands in India.

This deal was worth $1 billion, giving Haldiram’s a valuation of $10 billion. This is the largest private equity deal in the consumer sector in India.
Reasons for Investing in Temasek Haldiram’s

Temasek has put up investments across several sectors in India, including but not limited to medicals, finance, and technology. Long-term growth potential for India is seen by the fund, which plans to invest $10 billion in the next three years.

The spokesperson from Haldiram’s said they’re thrilled to welcome Temasek as an investor and partner. It is going to complement the company’s expansion further, both within India and abroad.

Haldiram’s: A Legacy of Success

Haldiram’s started as small snack shop in Bikaner, Rajasthan, in 1937. Today, it is a household name across India famous for savoury snacks, sweets, and fast-food outlets.

Beverage brand holds nearly 13% of India’s $6.2 billion snack market according to Euromonitor International. It has also set up a manufacturing facility in the UK from where products are exported to different countries.

Haldiram’s Attracting More Investors

Haldiram’s has already positioned itself as a company sought out by major global investors. Companies such as the Tata Group and Bain Capital have toyed with earlier decisions about purchasing a stake in the company.

It is joined in this latest funding round by Temasek, along with two other investors- Alpha Wave Global (New York-based) and the UAE’s International Holding Co.
Temasek Expanding Its Footprint in India

Since 2004, Temasek has been building its presence in India based on its Mumbai office. Investments in the country are nearing $40 billion by 2024.

Apart from Haldiram’s, Temasek has now invested in leading Indian companies like: 
Looking Beyond India

But while Temasek stays optimistic about India, it has been restructuring its portfolios across all geographies depending on economic and geopolitical factors.In 2020, China constituted 29% of Temasek’s investments. That is set to fall to 19% by 2024, whereas India now makes up 7% of the total portfolio.Temasek Invests in Haldiram’s as India Becomes a Key Market
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The High-End Fashion Industry’s Reaction to Economic Turmoil


While inflation has pinched the wallets of many, it’s ironically fueling the growth of luxury fashion. As most consumers scale back on spending due to rising costs, iconic brands like Chanel, Rolex, and Hermès are boldly raising their prices, sometimes surpassing inflation itself. For some, it's a response to economic pressures; for others, it’s a strategic move to preserve their elite status.

Luxury brands excuse their price inflation by claiming inflation pressures and rising material costs, but their figures do not hold up. Consider, for instance, Chanel in 2019, the average price for a Classic Flap bag stood at $5,800. At present, it has reached about $10,200, a phenomenal increase of about 76% in price. Chanel justified this by claiming a commitment to quality and exclusivity. This argument was pushed by the CEO, Leena Nair for the price hike, she said "We use exquisite raw materials and our production is very rigorous, laborious, handmade-so we raise our prices according to the inflation that we see." But is there more to it? Many consumers and analysts suspect otherwise, wondering whether such price bounds are truly to do with keeping up with cost or simply to maintain their ultra-high-end status.

The watch market is no different. Patek Philippe and Rolex rank among the world's most desirable brands, but to purchase them at retail is effectively impossible for someone who lacks any insider affiliation. On the secondary market, though, such timepieces tend to fetch two to three times their retail price. Are these brands genuinely facing supply chain restrictions, or do they limit production on purpose to keep demand strong? Most industry professionals believe the latter.

Beyond the realm of economics, luxury brands have learned a thing or two about price psychology. Economists call it the Veblen Effect; as the price for some luxury items rises, so does their demand. In contrast to mass-market items, a client does not buy Chanel handbags or Rolex watches just for their fine craftsmanship; he or she buys them for their prestige. Price hikes aren’t just about inflation; they create an aura of exclusivity around such goods. In short, the higher the price, the more desirable they become.

Hermès exemplifies this strategy. The brand, synonymous with scarcity and strict pricing, increased the price of an average Birkin bag by nearly 10% in 2023, exceeding inflation rates. A close examination of the discourse further reveals the possible truth that these bags do not just serve as accessories but genuine investments, worth holding and appreciating. Louis Vuitton had equally to trade from a playbook wherein multiple price raises go within a year despite the depressing foreign retail markets. These luxury goods stack up nowadays according to Business of Fashion on an average basis for around fifty-four percent more than they did during 2019. Yet, sales remain booming-some even argue more than ever. Why? Because these have successfully groomed the idea that affordability in hand and wrist should become a tag as status hallmark for completion in being successful. However, it too ends up being an ethical debate. Should luxury companies literally be allowed to raise prices this steeply while others are still cash-strapped? Some would just say that this is merely a business concept as the saying goes"If you find someone willing to pay, why not charge him more?" while some see it as a deliberate ploy to keep out regular buyers, thus making it all the more desired by ultra-high-net-worth individuals.
So, what’s next in the future? Will brands continue to push prices higher, or are we approaching a breaking point? History suggests that as long as affluent consumers remain eager to buy into exclusivity, luxury brands will continue raising prices, regardless of economic conditions. But there’s always the risk of alienating aspirational buyers, the ones who save up for a dream luxury purchase, if prices keep climbing.

Indeed, changes in behavior control the portion of this high drama. The industry remains high-class and entry-level as long as there is pursuit by people to be status seekers, this profit will always be there for these brands, be it a recession or not.Ruhi Bishnoi is a Data Science, Economics, and Business student at Plaksha University, set to graduate in 2027. She is passionate about leveraging data-driven insights to drive strategic business decisions and create meaningful impact. The High-End Fashion Industry’s Reaction to Economic Turmoil | MorungExpress | morungexpress.com
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Bunnings has toppled Woolworths as Australia’s most ‘trusted’ brand – what makes us trust a brand in the first place?

Think of some of the world’s biggest brands: Nike, McDonald’s, Coca-Cola, Apple. With what do you associate them? Are they positive associations? Now consider, do you trust them?

Brand trust is a measure of how customers feel about a brand in terms of how well the brand delivers on its promises. Trust is an important measure for any organisation, large or small.

Whether or not customers trust a brand can be the difference between choosing that brand’s products or services over another.

In Australia, Woolworths held the title of our most trusted brand for three and a half years. But recent cost-of-living pressures have put supermarkets in the spotlight for all the wrong reasons.

Roy Morgan Research’s most recent trust rankings show Woolworths has slipped to number two, handing its crown to hardware behemoth Bunnings.

It’s clear that trust is fragile and can be quickly squandered when brands lose touch with those they serve.

So what makes us trust a brand in the first place? And why do we trust some more than others?

What makes us trust a brand?

According to customer experience management firm Qualtrics, brand trust is

the confidence that customers have in a brand’s ability to deliver on what it promises. As a brand consistently meets the expectations it has set in the minds of customers, trust in that brand grows.

There are many ways to go about measuring brand trust. A typical first step is to ask lots of people what they think, collating their general opinions on product quality and the brand’s customer service experience.

This can be strengthened with more quantifiable elements, including:

  • online ratings and reviews
  • social media “sentiment” (positive, negative or neutral)
  • corporate social responsibility activities
  • philanthropic efforts
  • customer data security and privacy.

Some surveys go even deeper, asking respondents to consider a brand’s vision and mission, its approaches to sustainability and worker standards, and how honest its advertising appears.

Is this a real and useful metric?

The qualitative methodology used by Roy Morgan to determine what Australian consumers think about 1,000 brands has been administered over two decades, so the data can be reliably compared across time.

On measures of both trust and distrust, it asks respondents which brands they trust and why. This approach is useful because it tells us which elements factor into brand trust judgements.

Customer responses about the survey’s most recent winner, Bunnings, show that customer service, product range, value-for-money pricing and generous returns policies are the key drivers of strong trust in its brand.

Here are some examples:

Great customer service. Love their welcoming staff. Whether it’s nuts and bolts or a new toilet seat, they have it all, value for money.

Great products and price and have a no quibble refund policy.

Great stock range, help is there if you need it and it is my go-to for my gardening and tool needs. Really convenient trading hours, and their return policy is good.

In addition to trust, there are three other metrics commonly used to assess brand performance:

  • brand equity – the commercial or social value of consumer perceptions of a brand

  • brand loyalty – consumer willingness to consistently choose one brand over others regardless of price or competitor’s efforts

  • brand affinity – the emotional connection and common values between a brand and its customers.

However, trust is becoming a disproportionately important metric as consumers demand that companies provide increased transparency and exhibit greater care for their customers, not just their shareholders.

Why do Australians trust retailers so much?

Of Australia’s top ten most trusted brands, seven are retailers – Bunnings, Woolworths, Aldi, Coles, Kmart, Myer and Big W.

This stands in contrast with the United States, where the most trusted brands are predominantly from the healthcare sector.

So why do retail brands dominate our trust rankings?

They certainly aren’t small local businesses. Our retail sector is highly concentrated, dominated by a few giant retail brands.

We have only two major department stores (David Jones and Myer), three major discount department stores (Big W, Target and Kmart) and a supermarket “duopoly” (Coles and Woolworths).

It’s most likely then that these brands have been enjoying leftover goodwill from the pandemic.

As Australia closed down to tackle COVID-19, the retail sector, and in particular the grocery sector, was credited with enabling customers to safely access food and household goods.

Compared with many other countries, we did not see a predominance of empty shelves across Australia. Retailers in this country stepped up – implementing or improving their online shopping capabilities and ensuring physical stores followed health guidelines and protocols.

Now, with the pandemic behind us and in an environment of high inflation, the big two supermarkets face growing distrust and a public inquiry.

Lessons from the losers

After two high profile disasters, Optus finds itself the most distrusted brand in Australia.

Its companions in the “most distrusted” group include social media brands Meta (Facebook), TikTok and X.

Qantas, Medibank Private, Newscorp, Nestle and Amazon also made the top 10.

The main reason consumers distrust brands is for a perceived failure to live up to their promises and responsibilities.

For example, worker conditions at multinational firm Amazon are seen by some consumers as a reflection of questionable business practices.

Other brands may have earned a reputation for failing to deliver the basics, like when chronic flight delays and cancellations plagued many Qantas customers.

Lessons from the winners

On the flip side, consumers have rewarded budget-friendly retailers with increased trust in the most recent rankings.

Aldi, Kmart and Bunnings have improved their standing as trusted brands, no doubt in part because they have helped many Australian consumers deal with tight household budgets.

As discretionary consumer spending continues to tighten, we may see a more permanent consumer shopping shift towards value for money brands and discounters.

Trust is a fragile thing to maintain once earned. As we move through 2024, Australian companies must pay close attention to their most important asset – strong relationships with those they serve.The Conversation

Louise Grimmer, Senior Lecturer in Retail Marketing, University of Tasmania

This article is republished from The Conversation under a Creative Commons license. Read the original article.

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M&M 11th most valuable automobile manufacturer in world: Anand Mahindra


Mumbai, (IANS) Mahindra & Mahindra (M&M) is the 11th most valuable automobile manufacturer in the world, leaping over many competitors and erstwhile technology collaborators, its Chairman Anand Mahindra said on Wednesday.

In a New Year address to the employees of Mahindra Group, he said that among companies that were part of the NIFTY50 in 2002, M&M has had the highest compounded annual share price growth rate till date, and in just the past year, has soared 77 per cent.

“For the fourth straight year, we were included in the Dow Jones Sustainability Index’s World Index as the highest-ranked automotive OEM,” Anand Mahindra wrote.

Most notable among other businesses, Mahindra Susten exceeded its plans for the year, with a cumulative win pipeline of 3.3GWp, over 60 per cent of its targeted capacity.

“Last Mile Mobility continued its leadership position in the electrification of India’s 3W market, Mahindra Finance’s loan book swelled to over Rs 1.1 lakh crore and tractor business expanded its dominant position in India amid tough competition,” the company’s Chairman informed.

On the EV business, he said that it takes audacity for a traditional SUV company to make a big bet on the future of electric vehicles in an uncertain world.

“And it takes a deep commitment to innovation to forge cutting-edge technology, design, and performance into vehicles that have unique offerings. I hope this will be a portent for the future of every company within the Group,” said Anand Mahindra.

He further stated that India is well positioned to more than fend for itself.

“It is no longer the 99-pound lightweight on the beach. It can demonstrate military might. It can boast of political stability, anchored by its raucous and robust democracy that was on full display in the central elections, when a nation of over a billion people voted seamlessly, peaceably, and effectively,” he noted.

India can enhance its economic potential, by seizing the opportunity offered by shifting affinities and alliances to become a keystone in the global supply chain system.“We will be less affected by capricious global winds than many other countries. In that context, our Group should have no dearth of opportunities for growth, both domestic and international,” Anand Mahindra told employees. M&M 11th most valuable automobile manufacturer in world: Anand Mahindra | MorungExpress | morungexpress.com
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Mercedes-Benz India cruises to double-digit growth as demand for luxury cars rises

New Delhi, (IANS): Mercedes-Benz India is on course to close the current year with a double-digit jump in sales, fuelled by the rising demand for luxury cars in a fast-growing economy, the company’s managing director Santosh Iyer has said.

Mercedes-Benz India has now launched its new 'AMG C 63 S E PERFORMANCE' model equipped with F1 hybrid technology priced at Rs 1.95 crore. This is the company's 14th product launch this year, aimed at driving up sales volumes of its high-end vehicles which are priced upwards of Rs 1.5 crore.

Speaking to reporters at the launch, Iyer said that the festive season brought the company’s best sales figures, reflecting the strength of the auto major’s performance in a fiercely competitive and fluctuating market.

In the July-to-September quarter, sales of Mercedes-Benz India accelerated by 21% over the same period of the previous year amid an overall slowing auto market. He highlighted that the company has been experiencing substantial growth despite the challenges facing the automotive industry.

Iyer said the company plans to complete conversion of all of its existing 100 outlets under the direct-to-consumer model over the next year or so. He claimed that the new marketing strategy has helped to cut the country’s inventory costs.

The increase in luxury car sales also underscores the rising incomes of the upper middle class with the Indian economy emerging as the fastest growing economy in the world. This also reflected in the higher number of income tax payers in the above Rs 1 crore earnings segment.Figures compiled by the Income Tax department show that more than 9.54 lakh people with income of Rs 1 crore and above filed their returns until October 31 this year. The number has jumped more than 3-fold from 2.89 lakh tax payers in the country in the Rs 1 crore and above bracket five years ago. Mercedes-Benz India cruises to double-digit growth as demand for luxury cars rises | MorungExpress | morungexpress.com
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As Disney turns 100, the brand’s real legacy is its business acumen

“100 Years of Wonder” is the theme for Disney’s year-long promotion of the company’s centenary. From special Disney on Ice events to a retrospective at the British Film Institute and limited edition Disney100 merchandise, Disney’s celebration is big business.

The wonder and magic of Disney is consistently promoted. And yet I would argue that Disney’s greatest legacy is not its animated stories or characters, but the more mundane history of its mergers, acquisitions and intellectual property rights.

The business acumen of those behind the scenes at Disney have been central to the peaks and troughs of the company’s enduring presence in the film industry and popular culture at large.

Early Disney

The Walt Disney Company was founded in Hollywood by brothers Walt and Roy Disney in 1923.

Before this, along with friend and animator Ub Iwerks, the brothers had founded Laugh-O-Gram Studio in Kansas City. They then moved west with their successful silent Alice Comedies series, which featured both animation and live action.

Animation is what the Disney studio became known for. First with their shorts which included Mickey Mouse’s third outing in the studio’s first sound film, Steamboat Willie, and the Silly Symphony series. And then in their feature length films, beginning with Snow White and the Seven Dwarfs in 1937.

The first two decades of the studio established Disney’s desire for innovation and profit. This was illustrated through their early adoption of merchandising (Mickey Mouse merchandise was profitable in the mid 1930s) and various technologies, such as Technicolor and sound.

Sinking most of their profits back into their expensive animated ventures led Disney to find ways to cut costs. This included making live action nature series, television shows and opening Disneyland, their first amusement park, in Los Angeles in 1955.

While their animated products were no longer as groundbreaking as they once were, their adoption of television in the 1950s was lucrative and popular, especially The Mickey Mouse Club (1955) and Davy Crockett (1954).

Furthermore, television afforded the company the opportunity to promote their products and authenticate Disney’s position at the forefront of animation. However, live action films – quicker to make and less expensive than animation – dominated their releases in the 1960s, with stars Haley Mills, Fred MacMurray and Dean Jones appearing in multiple Disney films.

In 1966, Walt died. Roy then passed in 1971 and Walt Disney World opened in Florida the same year. In many ways, the Disney Company was never the same after the loss of the founding brothers.

Disney without Walt

The template was established for how the company would function for the next 50 years. Disney animation innovated again in the late 1980s and early 1990s through computer animation. A renaissance took place with the releases of The Little Mermaid (1989), Beauty and the Beast (1991) and The Lion King (1994).

They also expanded into cable television with The Disney Channel and founded a distribution label, Touchstone Pictures, that focused on films for adults.

Screen Cartoonist’s Guild on strike at Walt Disney Productions in 1941. UCLA Library, CC BY

There was unhappiness among animators at the studio towards the company’s bureaucracy and the perception that profits always went back into the films and not to improving working conditions or salaries (one major strike against Disney took place in 1941).

The list of former Disney animators that went on to work elsewhere or open their own animated studios is long and diverse.

Walt had learned the importance of owning rights early in his career, after he lost the intellectual property to his first successful animated character, Oswald the Lucky Rabbit. The imperative to retain proprietorship and diversify the corporation can be witnessed in many of Disney’s deals and mergers.

In 1991, Disney agreed to make films with Pixar, which has gone on to be regarded as an innovative animated studio. They later acquired Pixar in 2006.

Disney Today

In 1995, Disney acquired the ABC television network, which also owned the cable sports network, ESPN. In April 2004, Disney purchased the Muppets franchise. In 2009, Marvel Entertainment was acquired and Lucasfilm was bought in 2012.

Through these purchases, Disney has become one of the most significant entertainment companies in the world and one of the few early Hollywood studios that still maintains name recognition (Disney bought out 20th Century Fox in 2019).

Whereas for earlier generations Disney stood for Mickey Mouse, animated fairy-tale features and family entertainment, for younger generations, Disney is a streaming service, amusement park brand and the creator of the Star Wars universe television programming.

Traces of Walt, Roy and the pioneering animation established in the early days of the studio can be seen in their animated releases, such as Encanto (2021), and company legacy through the “reimagining” of their animated films, such as the recently released live action The Little Mermaid.

The commercial landscape of the entertainment business is always in flux. While many companies are operating their own streaming services, the long term success of these services are questionable. This is most evident in the recent writers and actors strike in Hollywood that was mainly focused on outdated royalty models that do not account for streaming media content.

Disney’s last few releases were not as successful as they had anticipated at the box office and they have lost a significant amount of Disney+ subscribers this year. However, this is a trend taking place throughout Hollywood and, while Disney is struggling, they remain a significant brand in the global media market.

And there is no question that their theme parks continue to be popular with families who want to immerse themselves in all things Disney.

The magic of Disney’s animation and the memories created at their theme parks is part of their “100 years of wonder”. But so is their successful business model that has continually adapted to changes in the entertainment business and its persistent cultural relevance.


Looking for something good? Cut through the noise with a carefully curated selection of the latest releases, live events and exhibitions, straight to your inbox every fortnight, on Fridays. Sign up here.The Conversation


Julie Lobalzo Wright, Assistant Professor in Film and Television Studies, University of Warwick

This article is republished from The Conversation under a Creative Commons license. Read the original article.

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Premier Indian Jewelry Brand TANISHQ Presents The Houston Trunk Show

(HOUSTON) July 13, 2022 – Tanishq, India’s most-loved jewelry brand, is set to present its uniquely curated and differentiated designs during a five-day trunk show taking place at the Hyatt Regency Houston West hotel from July 13-17. Guests of the event will discover Tanishq’s distinctive aesthetic – a marriage of timeless tradition and fresh, contemporary design. The collection of exquisitely handcrafted pieces features diamonds and other precious gemstones including rubies, emeralds, and sapphires, as well as exotic gems including vibrant citrines and tanzanite, handset in 18kt and 22kt gold. The vast range of jewelry on display will include bracelets, pendants, necklaces, earrings, and more, ranging from everyday wear, to stunning one-of-a-kind statement pieces that elevate your look. The pieces on display will include select designs from the brand’s recently launched Romance of Polki collection. Polki or uncut diamonds, is a stunning celebration of the centuries-old craft that has been passed on for generations and enjoys unparalleled heirloom status even today. Tanishq’s latest cocktail collection of diamonds and natural gemstones, Colour Me Joy, will also be on showcase during the event. The collection is inspired by the women of the world and celebrates their individuality, self-expression, and elegance but also their playfulness. 
“Every Tanishq piece is crafted to be a part of someone’s journey. From festivities to life events, milestones, and weddings to everyday events. We invite you to come visit us at the Houston Trunk Show & experience a wide array of exquisite contemporary and traditional jewelry.” says Amrit Pal Singh, Business Head – North America at Titan Company “We are on a journey to build Tanishq as a global brand & are delighted to showcase our range to Indians living in Texas. At the Trunk Show, we believe we have something special for everyone from work wear to bridal wear” Added Vandana Bhalla, Marketing Head – International Business Division, Titan Company Limited. Event attendees can avail up to 20% (*TnC Applied) reduction of any purchase, including wedding and other special occasion jewelry.The Tanishq Trunk Show takes place daily from 11:30 am – 7:30 pm in the Lakeview room at Hyatt Regency Houston West, located at 13210 Katy Fwy, Houston, TX. The event is free and open to the public. Onsite self-parking is available. For more information visit @tanishqusa on Instagram. Source: https://www.newsindiatimes.com/
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Start-ups should build future Indian multinationals, give Brand India a new global identity: Modi


Prime Minister Narendra Modi on Saturday gave a call for start-ups be set up in all sectors for building future Indian multinationals which, he said, would give 'Brand India' a new global identity in the times to come.

Speaking after laying the foundation stone of IIM-Sambalpur's permanent campus in Odisha through videoconference, Modi said: "This is a perfect time. Today's start-ups are tomorrow's multinationals. These start-ups are emerging in Tier 2 and 3 cities. These start-ups will play a big role in establishing multinationals."

Modi said that the scope for start-ups is expanding. "You have to prepare yourself for new possibilities. Our youths are responsible for giving 'Brand India' a new global identity."

Modi said that the permanent campus of the Indian Institute of Management-Sambalpur will not only showcase the culture and resources of Odisha but will also give Odisha a global recognition in the field of management.

He said that the country recently witnessed the trend of Indian MNCs as opposed to earlier trend of multinationals coming to India from outside.

Noting that India has seen more unicorns in recent troubled times, Modi said that rapid reforms are taking place in the agriculture sector.

In such a scenario, Modi said, students should align their career plans with national aspirations.

"In this new decade, it is your responsibility to give Brand India a global recognition," the Prime Minister said.

Modi asked Indians students to work on local products holding great potential, such as handicraft, textiles and tribal art.

He also asked them to work on better management of abundant minerals and other resources in the area, as all this will contribute to the Atmanirbhar Bharat (Self-Reliant India) campaign.

"IIM students will need to find innovative solutions for making local global as they can work as a bridge between Atmanirbhar Bharat Mission, local products and international collaboration. You have to show your management skills in tune with the mantra of innovation, integrity and inclusiveness."

Modi talked about the new management challenges in the light of new technologies like additive printing, changing production techniques, logistics, and supply chain management.

"These technologies coupled with digital connectivity, and work from anywhere concept have turned the world into a global village. India has undertaken rapid reforms in recent months and tried not only to keep pace with the changes but also tried to anticipate and surpass them," he added.

"Management is not just handling big companies but also taking care of lives," Modi said. Source: i
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Louis Vuitton tops ranking of global luxury brands


The latest global brands ranking by WPP and Kantar Millward Brown show luxury companies have increased their value by 28 percent, with Louis Vuitton, Hermès and Gucci in the top three rankings. Louis Vuitton and Hermès are valued at 41.1 billion and 28 billion dollars respectively.
Gucci leads the luxury brands in value rise

“Gucci led the Brandz luxury Top 10 in value with tremendous one-year gain of 66 percent. Over 12 years, the Gucci brand increased 414 percent in value. Its recent bold designs and colours capture the mood of the time, and Guggi increase its scores in Meaning Difference and Trust, “ says Susannah Outfin, Managing Partner Mindshare.

2018 marks the 13th annual BrandZ ranking, where value is measured by financial performance and consumer perception. Eight out of the Top 10 global brands are technology or tech-related brands. This category continues to dominate the rankings with Google and Apple retaining the number 1 and 2 spots, growing +23 percent to 302.1 bn dollars and +28 percent to 300.6 bn dollars respectively. Amazon moved into the no.3 position ahead of Microsoft, growing +49 percent to 207.6 bn dollars, while Tencent ranked 5 ahead of Facebook (6) growing +65 percent in brand value to 179 bn dollars, up three places from last year’s ranking.

One of the key factors driving brand growth today is digital engagement with consumers. From leveraging social media to embracing influencers, brands that are seeing success are finding ways to turn digital marketing into sales.

“Consumer expect more from the luxury brands than the products themselves. They are demanding experiences. Look at Louis Vuitton’s storefront, for example. It’s always spectacular,” said Rubi Pabani Managing Partner at Mindshare.
Brand building action points for luxury

Be bold, take risks, be willing to communicate a unique point of view both in design and communication. Heritage is important but even a royal family needs to refresh sandpit on a modern face.

More than in most categories, luxury is about brand and originality of design, not analysis of data. Luxury brands should be neither data-driven nor data-adverse Artistic intuition, rather than data, connects fashion with the zeitgeist. But data can inform artistic intuition without subverting it.

As the market for luxury expands with new, younger consumers, it is important to be present in diverse media, which means both social media and the traditional fashion press. Print is resuming among young people as more tactile and tangible than digital.
Be exclusive, with good manners

For luxury exclusivity is essential. Being snobby, however, is poor manners. Don’t alienate the younger customer whose buying power you may need in the future.

Photo credit: Louis Vuitton Cruise collection, source Louis Vuitton website Source: https://fashionunited.in/
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David Beckham launches global grooming brand


Danielle Wightman-Stone: David Beckham has followed in the footsteps of his wife Victoria Beckham and launched a beauty line, House 99, a men’s grooming range created in partnership with L’Oréal Luxe aimed at providing “all the tools men need to experiment with their look in order to express their own evolving style and unique identity”.

The beauty brand launched just days after the fashion label he part owns, Kent and Curwen showed at London Fashion Week Men’s, and aims to takes a holistic approach to grooming, merging British barbershop culture and style with hair, skin, beard and tattoo creativity for every man’s next look.

“I’m so excited to finally share House 99 with everyone around the world! For me, grooming is not only about how you look, but how you feel. It’s about being comfortable, trying new things and shaping your next look,” explains Beckham. “I created House 99 to give people the inspiration as well as the right products to experiment and feel completely at home doing so. House 99 is here to support men, to give them the tools they need to create whatever look they are going for. Welcome to the house.”

Launching exclusively in the UK from February 1 at Harvey Nichols, House 99 will then roll out to other British retailers, and in 19 countries from March 1.
David Beckham partners with L’Oréal Luxe to launch House 99

The brand has been in development for the last two years and is already tipped to take over the burgeoning men’s grooming market. It will debut with 21 products offering expert and diverse solutions for all hair and skin types, tried, tested and approved by Beckham himself, which focus on the “modern man's daily style regime,” covering hair, beard, skin and body.

Key products include face and body moisturisers, beard and hair balm, shampoos and conditioner, beard scrub, shaving cream, styling gel, and even a tattoo body moisturiser created to help preserve their original colours, with Beckham playing an “active role” in the development, and that includes quinoa and spirulina forming the heart of House 99 formulas as Beckham believes in their health-boosting properties.

The press statement adds that the footballer-turned-entrepreneur was involved in testing in the L'Oréal Luxe labs to picking product names, fragrances and logo designs. In addition, Beckham has also appointed some of the best names in grooming to collaborate with House 99, including master barber Fabio Marquez, from Figaro Barbershop in Lisbon, Portugal, who will be providing professional guidance and content for the brand's own digital platform.

The name is interesting, House 99, according to Beckham gives a glimpse into what the brand is about. ‘House’ reflects Beckham’s goal to build an inclusive community of grooming aficionados, to share style tips and recommendations to evolve their look and style, while ’99’, refers to the year 1999, the year he married Victoria, his eldest son, Brooklyn was born, and he won three trophies with Manchester United.

"House 99 is here to support men," Beckham adds, "to give them the tools they need to create whatever look they are going for. Welcome to the house.”

House 99 will launch first in the UK on February 1 exclusively at Harvey Nichols before rolling out nationwide and then to retailers in 19 other countries starting March 1.

Images: courtesy of House 99 Source: https://fashionunited.in/
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Top 10 most popular fashion brands of 2015


Fashion-united: For a brand to be popular, they have to conquer Instagram, be huge on Facebook, and get their Tweets on Twitter retweeted to expand their reach. But, which fashion brand has become the most popular of 2015? Well, FashionUnited analysts have been calculating each global fashion brand’s reach taking into account their social media followers on Instagram, Facebook, Twitter and Pinterest, as well as social mentions using hashtags and retweets, and finally adding how much Google search traffic each brand received.The top 10 most popular fashion brands is a mix of sportswear, high street retailers, lingerie giants, as well as luxury designer brands.

1. Nike
Topping the top 10 most popular fashion brands for 2015 is sportswear giant Nike. Known for its athletic design, development and manufacturing, across every area of sport, Nike has become a formidable name in fashion, helped along by the rise of the trainer as more than a sportswear accessory, but rather a fashion statement. Its top spot is helped by its large number of social media followers, on Instagram the brand has more than 31 million followers, while on Twitter it has 11 million followers, but it’s the incredible 75 million fans on Facebook that keeps it ahead of the other fashion brands. As well as huge social media numbers its fans also keep its reach growing with close to 40 million Instagram hashtags being used in 2015, that’s more than three times higher than the number two, Zara received. It is also the brand with more than 2 million retweets. Its popularity on social media is driven by its fun and rememberable hashtags, like #BringYourGame used to promote basketball, #GetOutHere to drive its Nike training kit, and the use of #FearlessAcceleration for baseball. It is also assisted by numerous sports personalities including tennis star Serena Williams, footballer Cristiano Ronaldo and basketball star Kobe Bryant.
2. Zara
Spanish fashion retailer Zara is the first of four high street names to make the top 10, H&M came in third, Forever 21 in seventh, and Mango claimed ninth spot, however, Topshop could only manage thirtieth spot and value retailer Primark was down in 21st place. Zara, which belongs to one of the world’s largest fashion chains Inditex, has more than 6,900 stores worldwide, and earned second place due to the large amount of Google search traffic, with shoppers searching for Zara more than 160 million times during 2015. Its social media reach doesn’t quite rival H&M, Zara has nearly 8 million Instagram followers and just over 1 million followers on Twitter, all less than H&M, however it does boast three times more Instagram mentions than the Scandinavian fashion chain with close to 13 million mentions on the picture sharing channel, helped by the popularity of the fashion brand with style bloggers who tag the retailer in their photographs.
3. H & M
Scandinavian fashion retailer H&M did give Zara a run for its money in the most popular fashion brands of 2015 with high followers on Instagram, Facebook, Twitter and Pinterest. The brand has more than 7 million followers on Twitter compared to just 1 million for Zara, and is helped to third spot with its 11 million followers on Instagram, and 25 million fans on Facebook. The fashion retailer also received in the region of 367,000 retweets in 2015, probably helped by its designer collaboration with Balmain, and its high-profile holiday campaign fronted by Katy Perry. However, these retweets are nowhere near the level that the sportswear brands Nike and Adidas receive.
4. Adidas
It seems that the German sportswear brand Adidas is still in Nike’s shadow as it could only managed fourth in the most popular fashion brands of 2015. There was one area in which Adidas overpowered its rival and that’s Facebook as it has more than 80 million fans, however, Nike won through with more Instagram, Twitter and Pinterest followers, and even more Retweets, Instagram mentions and Google search traffic. Nike received more than 37 million mentions on Instagram compared to Adidas who received nearly 4 million, showing that the sportswear giant has a little way to go with its global social media reach.
5. Victoria's Secret
American lingerie brand Victoria’s Secret took fifth spot, helped by the popularity surrounding its fashion show and its model ‘Angels’. On Instagram, the lingerie brand has close to 32 million followers, making it the most popular brand in our chart on the picture sharing platform, however, the brand only received close to 3 million Instagram mentions, much lower than the 37 million Nike received, which is why it only managed to secure fifth place in the most popular fashion brands of 2015. Its reach is also huge on Facebook with more than 40 million fans, 9 million followers on Twitter, and the lingerie label also takes top spot for the most Pinterest followers in the top 10 with more than 388,000.
6. Macy’s
The only department store to make the top 10 most popular fashion brands is American chain Macy, showing that its heritage and size, it has more than 900 stores across the United States, makes it more popular than UK department stores such as Selfridges and Harrods, who weren’t even listed in the top 40. Macy’s may have significantly lower followers on Instagram, only 460,000, however, the department store makes up for it with large number of people searching for the retailer on Google, with 112 million searches compared to just 72 million for Adidas and 84 million for Victoria’s Secret.
7. Forever 21
Forever 21 is one of America’s best known fashion retailers, known for its affordable clothing, and in recent year’s the fashion chain has been expanding to the UK and Europe, with a flagship located on Oxford Street in London. The fashion brand is helped to seventh spot due to having close to 9 million followers on Instagram, more than Zara in second place and Macy’s in sixth, however significantly less than Nike, Adidas and Victoria’s Secret. Forever 21 does also have two million followers on Twitter, 12 million fans on Facebook, and has the second highest amount of Pinterest followers behind Victoria’s Secret with 267,000. The high street name also received more than 88 million Google searches, twice as much as Michael Kors ranked in eight spot.
8. Michael Kors
American designer brand Michael Kors marks the first of the luxury brands making the top 10 most popular fashion brands, beating off competition from Louis Vuitton who could only managed tenth place, while Chanel was ranked 11th, Gucci in at 14th and Burberry could only manage 16th spot on the fashion chart. Michael Kors took eighth place thanks to a high number of retweets, close to 700,000 and 16 million Instagram mentions of the frequently-used #michaelkors hashtag. Its Instagram mentions are only rivalled by Nike and Louis Vuitton. However, the designer brand known for its handbags, only received close to 45 million searches on Google, the second lowest in the chart.
9. Mango
Rounding off the last high street fashion brand in the top 10 is Spanish retailer Mango, which has nearly 2,000 stores in 104 counties. The fashion chain, which is more popular in Europe than the rest of the world, could only manage ninth place due to its lower social media followers, which are below Zara and H&M. On Instagram, Mango has nearly 4 million followers, on Facebook just over 9 million, and on Twitter the retailer hasn’t even hit 1 million with just 739,000 followers. However, the retailer did receive close to six million Instagram mentions and had double the Google search traffic of Louis Vuitton who came in at number 10.
10. Louis Vuitton
The last fashion brand in the top 10 most popular fashion brands of 2015 is luxury French fashion house Louis Vuitton, only the second luxury brand in the top 10 ranking. The French brand enjoys a large social media reach, with just over 18 million fans on Facebook, more than 8 million followers on Instagram and 5 million on Twitter. The luxury label also enjoys a high amount of Instagram love with more than 19 million mentions during 2015, probably helped by the opening of its free exhibition in London and the popularity of its live streamed fashion shows during Paris Fashion Week.

The most popular fashion brands of 2015 were calculated by FashionUnited based on their social media followings on Instagram, Twitter, Facebook and Pinterest, as well as the number of hashtags and mentions on Instagram, retweets, and Google search traffic results. The final score is weighted in favour of Facebook followers, retweets, Instagram hashtags and Google search, over Instagram and Twitter followers.


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Instant hit: 60,000 Maggi 12-packs sold in 5 minutes on Snapdeal

Returning to the market after a five-month hiatus, Maggi sold 60,000 'welcome kits' of 12 packs each in five minutes flat through its online tie-up with Snapdeal, as consumers thronged the e-commerce platform to lap up their 2-minute noodles. Earlier this week, Snapdeal had announced that it will sell Nestle's Maggi via a unique "flash sale model" as the noodles brand made a comeback. Maggi had been banned after it was allegedly found to have lead content beyond permissible limits. While registrations for Maggi's welcome kit (containing 12 packs of Maggi, a 2016 Maggi calendar, a Maggi fridge magnet, Maggi post cards and a 'Welcome Back' letter) opened on 9 November, the sale began today on Snapdeal. "Snapdeal sold out the first batch of 60,000 kits within five minutes of Maggi Flash Sale going live today. There has been much anticipation for the return of one of the favourite Indian brands and we have witnessed a phenomenal response to this sale from customers across the country," Snapdeal senior vice president (partnerships and strategic initiatives) Tony Navin said. Flash sales or deal-of-the-day is an e-commerce business model in which a website offers a single product for sale for a limited period of time. Potential customers have to register to avail the deal. A new batch of Maggi Welcome Kits will go on sale from 18 November. Maggi has been re-launched in 100 towns through 300-odd distributors and is being rolled out in a staggered manner across the country, except in eight states where it is still not allowed. The popular brand of noodles had passed tests by three government-accredited laboratories, as ordered by the Bombay High Court, which in August had lifted ban on the instant noodles that was imposed by food safety regulators. Maggi was banned in June by the Food Safety and Standards Authority of India (FSSAI) which stated that it was "unsafe and hazardous" for consumption due to presence of lead beyond permissible limits. The company had withdrawn the noodles brand from the market  Source: Article
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LG Becomes First Asian Company to Receive “Red Dot: Brand of the Year” Title

By: jung yeong-jin (info@koreatimes.com): South Korean tech giant LG Electronics said on November 3 that it has become the first Asian company to be honored with the “Red Dot: Brand of the Year” title. The Red Dot Design Award is one of the most coveted accolades in the design world. As a matter of fact, LG took home the “Red Dot: Design Team of the Year” title in 2006. Having both the “Design Team of the Year” and “Brand of the Year” titles under its belt, LG has reaffirmed its position as the Asian leader in innovative design. Globally, LG became the third company to win both “Brand of the Year” and “Design Team of the Year” titles after Mercedes-Benz and Audi. The Red Dot Design Award -- one of the three most important design awards in the industry along with the iF Design Award and IDEA (International Design Excellence Award) -- annually honors the best of the best designs in three categories: product design, communication design and design concept. Since 2010 the honorary title “Red Dot: Brand of the Year” has been bestowed upon design-innovators in the category of the Red Dot Award: Communication Design. Previous winners include global household names, such as PepsiCo, Audi AG and Mercedes-Benz. LG Electronics has become the first Asian winner of the “Brand of the Year” title for its 13 wins in the Red Dot Award 2015: Communication Design category, which focuses on visually appealing designs, as well as effective user interfaces that facilitate communication between the product and customers. This year, the Red Dot Design Award received 7,451 entries worldwide. Various LG products flaunting intuitive, human-centric GUIs (Graphic User Interface) won Red Dot Awards this year, such as the LG G4, LG Watch Urbane LTE (both of which sport designs delivering an exceptional visual experience) and the LG Music Flow Wireless Smart Hi-Fi Audio. Also among the winning entries are the LG BECON: Building Energy Control (a solution that automatically predicts the energy consumption of a building and indoor comfort levels to efficiently control facilities and save energy) and the LG Smart ThinkQ (a smart app that lets users control LG smart home appliances in a consolidated manner). Source: Article
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Allen Solly partners with Wimbledon for men's wear

Premium readymade apparel brand Allen Solly from the house of Aditya Birla Group-owned Madura Fashion and Lifestyle has entered into an exclusive partnership with the famed tennis grand slam tournament Wimbledon to sell men's wear. The partnership will also see the launch of Allen Solly's sub-brand Solly Sport. Solly Sport will offer an exclusive line of men's apparel under a licensing agreement with Wimbledon. The line was designed in collaboration with a French design firm to introduce tennis inspired fashion to India. The new collection will be made available at more than 200 stores. Credited for introducing ‘cotton trousers’ to Indian consumers, Allen Solly had recently, introduced a wide stylish range of cotton Chinos for men. This trouser style is popular because of its slimmer fit and vibrant colour options. Source: Article
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Connected TV ownership hits half a billion

Worldwide ownership of Connected TV Devices (including smart TVs, smart Blu-ray players, IP-enabled game consoles and digital media streamers) grew 7 per cent quarter-on-quarter in Q2 2014 and 34 per cent versus the same period in 2013 to reach 500 million units. The growing demand for devices that facilitate the streaming of online video to the large screen TV is creating a highly competitive environment with no fewer than 16 major technology brands accounting for 90 percent of devices in use according to Strategy Analytics’ Connected Home Devices (CHD) service report, Global Connected TV Device Tracker: Q2 2014. Other key findings from the report include: 
  • One in four Connected TV Devices installed in homes around the world is a Sony branded product while the combined footprint of Sony, Samsung, Nintendo and Microsoft accounts for 60 per cent of all devices in use.
  • Samsung enjoyed the highest unit increase to its installed base of Connected TV Devices during the quarter while Google’s Connected TV Device footprint grew faster than any other brand from Q1 to Q2 2014.
  • Apple remained the leading brand within the global Digital Media Streamer market in Q2 2014 although its share dropped to under 30 per cent for the first time in the face of competition from Google’s Chromecast, Amazon’s Fire TV and Roku.
  • According to David Watkins, Service Director, Connected Home Devices, connected TV Devices fulfil a growing consumer desire to access OTT content on the big screen in the home. “While Game Console vendors and the major TV brands have the largest footprint of such devices, major IT and Internet brands such as Apple, Google and Amazon are starting to build up a significant base of lower cost media streaming boxes and dongles from which they can tap into the online TV audience to advance their own living room strategy,” he advised.
  • Eric Smith, Analyst, Connected Home Devices noted that Game Consoles were until very recently the dominant Connected TV Device installed in the living room. “However, Q2 2014 marked the first time that there are more Smart TVs installed in homes globally than IP-enabled game consoles and Smart TVs will now move on to become the dominant Connected TV Device in the living room in terms of ownership. The challenge for Smart TV vendors moving forward will be to grow the number of active users and to do this they must ensure that their platforms remain relevant and up-to-date – certainly no easy task given the lengthy TV replacement cycles,” he warned. Source: Article
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Ecuador: The World Banana Queen

Once again, the long tradition of Latin American beauties winning the World Banana Queen contest was broken when Susan Romanishin, an American model and businesswoman, was crowned World Banana Queen. The contest, which was created 51 years ago, only became international in 1985 when the organizers allowed the participation of candidates from countries that produced, exported or consumed the fruit. On Saturday September 27, Romanishin, who is 22 years old and was born in Nevada, became the second representative of the U.S. to get that title. The first U.S. citizen to be crowned was Amanda Delgado, in 2008. The countries that have won the most crowns since 1985 have been: Colombia, with six crowns, Venezuela and Costa Rica, with four, and Brazil with 2. The only time the representative of the host country won the crown was in 1988, when the winner was Ximena Correa. Romanishin showed her ease and charisma during the show, which apparently tipped the scales in her favour. "I will promote consumption of Ecuadorian bananas in my country," she said. "I also eat Ecuadorian bananas," she told one of the judges. The commitment of the sovereign is to become an ambassador for Ecuador's export fruit. The sovereign and the other candidates started to head back to their respective countries on Monday, September 29.  Source: Diario el Comercio, Publication date: 10/3/2014. Source: Article
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Burberry, Topshop and Tom Ford most tweeted LFW designers

Burberry tops LFW Twitter chart
Burberry has topped a list of the most tweeted designers at London Fashion Week, according to an analysis by Hotwire PR, which examined the key trends driving conversation around the shows. The study found that Burberry’s collection racked up more than 16,000 tweets on Monday, and around 22,000 in total, which was aided by the fashion label’s use of fashion technology as they teamed up with Twitter this season to trial its click-to-buy button. Coming in second was Topshop, with 9,108 tweets in total, under half of what Burberry received. However, the retailer did create a buzz before the show ever started with more than 7,600 tweets being posted about its SS15 collection before the models hit the catwalk, making it one of the most anticipated shows at this season’s fashion week. In third place was Tom Ford, closely followed by Marchesa and Julien MacDonald took fifth spot. The rest of the top 10 included Vivienne Westwood, Erdem, Temperley London, and Mary Katrantzou. There was also room for House of Holland, who secured ninth spot with 2,096 tweets, after partnering with virtual fitting room firm Metail to give fashion fans the ability to ‘try on’ clothes as soon as they appeared on the catwalk. Hunter who had Twitter in its sights with its partnership with Grabyo to tweet video clips in real-time, could only amass 1,700 tweets in total, making it the thirteenth most tweeted designer overall. Emma Hazan, deputy managing director at Hotwire PR, said: “For the first time, fashion week was more high tech than high fashion, with designers embracing the latest innovations on and off the catwalk. While many technologies are already being rolled out in-store and online, our research shows the huge potential that innovation in retail has to excite and entertain shoppers.“Fashion retailers must now follow suit, as technology plays an increasingly important role in influencing and enabling consumer purchases.” Hotwire conducted its research using its proprietary Listening Post tool to monitor tweets referencing the #LFW hashtag and the designer’s Twitter handle or brand name, from September 1-16. Image: Burberry Twitter, Source: Fashion United
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Devatha Fabrics introduces 100 per cent pure silk kurtas

Known for their silk apparels, Devatha Fabrics has recently introduced a wide range of 100 percent pure
Devatha Fabrics introduces 100 percent pure silk kurtassilk kurtas. As P Narayan, Marketing Consultant, Devatha Fabrics explains, “Our competitive advantage is that we are a unique brand focused on products that can be used during auspicious and special occasions. The reason we manufacture our apparel from pure silk is because silk has been associated with auspicious occasions for years. We want to bring back this traditional product with a contemporary touch.” Promoting silk across India: Narayan says they plan to promote the brand across India through aggressive retail expansion. “We have an aggressive expansion plan for this financial year and are looking at entering newer markets such as Gujarat, West Bengal, Rajasthan and Punjab. We are also planning to enter e-commerce with our new range of ethnic wear,” reveals Narayan. For Devatha Fabrics quality is the key to stay ahead. The company has dedicated suppliers who are picked only after their products pass stringent quality tests. This gives Devatha’s premium range an edge and the company earns better revenues from it. The states of Andhra Pradesh and Tamil Nadu are Devatha’s best buying zones. At the moment, the company’s complete manufacturing is outsourced but it has quality control executives stationed at production points to check quality. Narayan feels these days consumers demand exclusive products to stand out in the crowd. Exclusivity has given a boost to bespoke business as it helps in catering to unique tastes. Narayan points out that there are two types of consumers. One set of consumers are price sensitive who want good products at a lesser price. The other set of consumers are wiling to spend a good sum of money on products that gives them exclusivity. “The demand for ethnic wear and occasion wear is on the rise. However, taxes play an important role, especially on imported raw materials. The cheaper the raw materials the easier it is to cater to the set of consumers who are price conscious.” With a turnover of around Rs 15 crores, the company has aggressive growth plans and is targeting 25 percent growth per annum. “Government and trade associations should bring about a positive change with flexible policies and support R&D activities in silk,” opines Narayan. “In 2-3 years we would like to increase our market share in the southern states. We will be increasing our product portfolio and introducing new products made from unique fabrics. We also want to increase our presence in newer markets mainly north India. In the next 10 years we would like to touch Rs 100 crores turnover.” Source: Fashion United
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Bollywood sensation Sonakshi glamour to World Kabaddi League


The hot and glamorous cinestar Sonakshi Sinha announced her association with World Kabaddi League which is slated to kickstart from August 9 th in London. Owner of the coveted title of most Rs100cr flicks, Sonakshi has bought the United Singhs team alongwith The Hayre Group of UK. She is the third celebrity to associate with the League after Akshay Kumar and Honey Singh. This is the first time Sonakshi has associated herself with a sport of this kind. Speaking to media and her fans at a meet in Mumbai, Sonakshi said,"I am really excited to be part of World Kabaddi League. This is my first such endeavour. Kabaddi is a fast paced sport and I am looking forward to some adrenalin rush moments during the League." Sonakshi is likely to travel along with her team as much as possible. The lucky charm of tinsel townis all geared up for five months of excitement. Sonakshi is already making amends in her shooting dates so that her commitment to World Kabaddi League is intact. "Please, please, please support World Kabaddi League as this is surely taking Kabaddi places." she said. "We are very excited with the support World Kabaddi League is getting from various celebrated personalities. Sonakshi is truly a gem in the crown. We are confident that her association will add to the growing fan following of the League," Pargat Singh, Commissioner, World Kabaddi League said. World Kabaddi League will present the sport to its fans in a completely new avatar by adding more action-oriented elements. The maiden Indian contact sport which has committed fan following across the globe will soon be pegged amongst the most followed game amongst enthusiasts. WKL will be played in Circle style which is the most popular kabaddi format followed across 26 countries globally. Earlier this month, bollywood actor Akshay Kumar and also endorsed the League by buying a team. The actor has always been enthusiastic in promoting fitness and sports which encouraged him to take this decision. He believes that Kabaddi is an authentic sport that puts up raw power for display and keeps the adrenalin rushing at all times. Mr. Talwinder Singh, Hayre Group said, "It gives me immense pleasure to have an A-list actor like Sonakshi to be a co-team owner. Her movies are eagerly watched internationally and am sure she can make Kabaddi look cool as a sport to play and follow. She has some very innovative winning strategies up her sleeve that she continues to share with me and my players. We will play to win and I am sure the fans will enjoy it thoroughly." WKL aims to become the go-to brand when it comes to sports entertainment or delivering value to its partners and sponsors. WKL as a brand embodies strength, power, agility, tactic, entertainment, masculinity and aggression. It is taking an indigenous Indian sport to the world and redefining it for the Indian audience. It gives Kabaddi a 'gladiatorial'? persona and adds loads of spunk and aura. We need to vie for a niche currently occupied by well-established sports like soccer and cricket. Our visual identity, tone and texture is global and aspirational. Source: Article
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